Appp PASOLINI as CINEMA MASTERS with JARMAN's film CARAVAGGIO and poet AUDEN recital

DEREK Jarman studied Caravaggio's painting for clues to his screenplay. 'The Beheading Of St John', where the weapon is a knife rather than a sword was, he suggested, "a confessional relating to the murder. From here I developed the idea he had a relationship with his victim... It was more likely to have been a lover's quarrel," while

TECHNOLOGOS CREATIVE CINEMA REELS.

'The Martyrdom Of St Matthew', Caravaggio's first major commission, has the central nude added much later, which Jarman supposes was inspired by Caravaggio discovering Ranuccio. "The key in unifying and identifying the religious, artistic and sexual sides of his nature," a nature and a life that Jarman has successfully captured in this extraordinary film.

MORAVIA's EULOGY FUNEBRE TO PASOLINI.

Oedipus Rex (Pasolini 1967) Oedipus blinds himself Tiresias and Oedipus. Pasolini with Ezra Pound and narrates Salo



VIEW ABOVE PASOLINI DOCDRAMA CINEMA OF STILLS ICONS ON HIS TRAGIC FATAL CINEMA END along with scene recovering body of murdered Aldo Moro, May 16 1978 in via Caetani Rome with the kidnapping scene by Red Brigades
as PP PASOLINI BEING GREAT FIMMAKER BECAME CINEMA ART TRUE MARTYR



PAULO PIETRO PASOLINI LA RICOTTA SERGEY PARADJANOV CARAVAGGI as PASOLINI FUGITIVE GENIUS ARTS GENIUS CINEMASCAPES PASOLINI ECCE HOMO PPP as A2 TECHNOLOGOS CINEMASPHERE PASOLINI ON PASOLINI



PASOLINI DOCUDRAMA STILLS MAYA DEREN BERTOLUCCI SERGEY EISENSTEIN CINEMASTERS STILLS AS DESIGN DUE TO DATA LOSS ON THE WEBSERVER OR WIPED OUT AS WEB VANDALISM CENSORSHIP ACT
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